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RECCO, Giuseppe
Italian Baroque Era Painter, 1634-1695
Son of Giacomo Recco. He was the most celebrated Neapolitan still-life painter of his day. He began in the tradition of his father and (probable) uncle Giovan Battista Recco, painting naturalistic arrangements of flowers, fish, game and kitchen scenes. There are many signed and dated works which chart the development of his style. The Bodeg?n with a Negro and Musical Instruments (1659; Madrid, Medibacoeli priv. col.), the Bodeg?n with Fish (1664; Paris, Moret priv. col.) and the Kitchen Interior (1675; Vienna, Ksthist. Mus.) are close to the art of Giovan Battista Recco. The fish and kitchen still-lifes are typically Neapolitan, yet Giuseppe's art is distinguished by the intensity with which he observes light and surface texture and by the clarity of the composition, based on a careful balance of horizontals and verticals. He moved toward a more Baroque and decorative style, and the unfinished Still-life with Fruit, Flowers and Birds (1672) and the Still-life with Fruit and Flowers
Related Paintings of RECCO, Giuseppe :. | Fish | Natura Morta con Frutta e Fiori | Portrait of a Man in Oriental Garment | Still-life with the Five Senses | Still-Life with Fruit and Flowers | Related Artists: Antonino Letopainted I Funari di Torre del Greco in 1883 Edmund Charles TarbellAmerican Impressionist Painter, 1862-1938
American painter, illustrator and teacher. He attended drawing lessons at the Normal Art School, Boston, MA, and art classes with W. A. G. Claus. From 1877 to 1880 he was apprenticed to a lithographic company in Boston. In 1879 Tarbell entered the School of the Boston Museum of Fine Arts, where he was a pupil of Otto Grundmann (1844-90), a former student of Baron Hendrik Leys in Antwerp. In 1883 Tarbell left for Paris with his fellow student Frank W. Benson. Both Tarbell and Benson attended the Acad?mie Julian, where they studied with Gustave Boulanger and Jules Lefebvre. They travelled to Italy in 1884 and to Italy, Belgium, Germany and Brittany the following year. Tarbell returned to Boston in 1886. Initially after his return, Tarbell made a living from magazine illustration, teaching privately and painting portraits. In 1889 Tarbell and Benson took Grundmann's place at the Museum School. Nicolaes eliaszDutch Baroque Era Painter, ca.1588-1655
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